10/05/2015

The Brew @ 100 Club by Paul Breslin

When ticket prices are going through the roof and the touts are having a field day you can’t get much better value for money than the night I had at the 100 Club this week.  Four bands for £12 and the wonderful “The Brew” amongst them.




“The Brew”, a three piece rock band [from that hotbed of rock, Grimsby] wear their influences like a badge of honour, from the experimental psychedelic tunes of the '60s, to more contemporary artists on the rock scene but particularly Led Zeppelin and The Who.  They made a triumphant return to London at the 100 Club and played a great set mainly taken from their last album “Control”.  Disappointingly the audience was thin on the ground, probably around 200, but they made enough noise for an audience five times as large by cheering at every opportunity.  It is strange quirks of fate that The Brew haven’t caught on here in the UK as much as mainland Europe where they sell out most nights.


The Brew consists of Tim Smith (bass), Kurtis Smith (drums) and Jason Barwick (guitar, vocals).  Barwick in particular wears his influences openly and honestly, from the windmill arm antics of Pete Townsend to the violin bowed interlude ala Jimmy Page, particularly where they morphed Moby Dick into closer “Rewind”.  If you like your blues/rock to be from the golden age but have a modern twist, then check out The Brew, especially their last album “Control”.


“Lost Minute”, a five piece rock band that I have to say were very impressive.  They were unknown to me before the gig but I shall watch these with interest going forward.  Great songs, great musicianship and especially great vocals from 22 year old Ruby Lewis.  A real smorgasbord of influences here but whatever they are they’ve put their own spin on them.  One to watch.



“The Black Circles” a three piece blues based combo who managed three tracks in their allotted time of half an hour.  Good playing and enjoyable songs but nothing you probably haven’t heard before from the Blues genre.

First up on the night were “Hands Off Gretel” who must have felt right at home in the 100 Club as their “punk/grunge” influences were tattooed everywhere, literally!  Blue haired, pig-tailed singer guitarist Lauren Tate was an absolute ball of energy and led the band through a raucous set in front of a paltry 20 or so people.  Sadly the music wasn’t really to my taste but good to watch.

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